28 March 2008 - 18 May 2008




Exhibiting artists:
Tilo Baumgärtel, Viktoria Binschtok, Henriette Grahnert, Matthias Hoch, Katharina Immekus, Martin Kobe, Oliver Kossack, Ulf Puder, Neo Rauch, Ricarda Roggan, Christoph Ruckhäberle, David Schnell, Annette Schröter, Tilo Schulz, Matthias Weischer

Curator: Készman József
Skype curator: Nagy Edina
assistant curator: Csóka Edina


The exhibition features a mobile phone-based audio guide in Hungarian, courtesy of T-Mobile, which can be accessed by calling 06 30 3030 260. Navigating with the help of a voice menu (IVR), visitors can listen to information about individual works and the sections of the exhibition. Those who enable Bluetooth on their devices can download on site, free of charge, an information package containing the image of one work of each exhibiting artist, as well as Tilo Baumgärtel’s video work (Megafon, 3 min 15 sec). Calling the information line will be charged according to your tariff package rate of calling a normal 06 30-prefix mobile number.


An event of the Budapest Spring Festival While the name of the Leipzig School sounds more and more familiar to art lovers, and its influence on other artists is becoming common knowledge, few people have in fact seen the original works, and few are aware that the art of Leipzig equals a visual idiom that is colourful, eye-catching, entertaining, and at the same time, thought-provoking. One of the most interesting phenomena of the past eight to ten years, both in terms of art history and art trade, is the painting boom that can be witnessed in Leipzig. Now commonly referred to as the “New Leipzig School,” this painting owes its existence to the unique concurrence of a variety of artistic and social phenomena. In the years to follow the fall of the Iron Curtain and the German reunification, several young artists from the west came to the Leipzig College of Graphics and Book Design, whose activity and spirit fertilized and overwrote the outdated, academic style of the school, and the strong local, chiefly realistic, painting tradition. Those distinctive features of style and approach that relied on this rewriting of the tradition and emerged in Leipzig pressed their mark on the discourse of painting in Germany in the 1990s, and such art soon became much sought after the world over. Neo Rauch, Matthias Weischer, David Schnell and the others are now the stars of international galleries, with works fetching record prices. Leipzig is a model and a phenomenon to be studied not only by virtue of the quality of art made there, but also on account of how art is managed in the city. Műcsarnok’s exhibition offers an introduction to the Leipzig art scene, chiefly to its painting, but also to some of the new media that struck root over the years. Nonetheless, this impressive display does not seek to provide a comprehensive overview, or even highlights, of the scene: this is a selection of works which are made exciting by their subjects or media, and which point beyond the individual oeuvres, towards important phenomena that provide principles for the organization of the display. The show also represents Leipzig as a city of culture and a place to live. This purpose is to be facilitated by a giant mural in the information room (a work of the creative group 1000%), which provides, in the manner of a cultural GPS, access to various cultic scenes of the contemporary scene in Leipzig, the locales of art. Also, artist Ádám Albert has prepared a graph, a visual representation of relations in the city, which reveals the links between teachers and students, artists and generations. It is also our hope that the exhibition will help to explain why or how a local phenomenon of art and culture came to have universal significance.

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Műcsarnok
Hungary, Budapest XIV, Hősök tere
H-1146 Dózsa György út 37.
Post address: H-1406 Pf. 35.
Phone: +36 1 460-7000
Fax: +36 1 363-7205
E-mail: info@mucsarnok.hu
Web site: www.mucsarnok.hu