| Gregor Gaida | Sum of stories
"The result of my work is a translation of reality. With it, the spatial object is put into relation while the sum of perceptions reflects the ambiguity of reality.”
Quantum physics postulates that a particle can follow every possible path in space-time on its way from one place to another and thus live through every possible story. Each of these possibilities describes one story... |
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| Dusan Trsar. Retrospective Exhibition of Sculpture
After having graduated from the Academy of Fine Arts Ljubljana towards the end of 1960’s, Dušan Tršar (b. 1937) launched an independent career. As member of a group of neo-constructivists, within the next decade he commanded attention with diversified light objects. These combined a traditional sculpting approach with a propensity for the effects of contemporary materials that... |
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| Rudolf Uher
The sculptures by Rudolf Uher (1913 – 1987) presented at this exhibition were created in the 1960s. At that time he largely worked in wood, welded iron and brass. In this period Uher’s artistic concept clearly transformed from the figurative archetype into simplified primary geometric forms. The sculptures are conceived as elementary tectonic formations; the composition principle... |
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| Ian Pedigo
Rokeby is announcing the first solo exhibition in the UK by Ian Pedigo.
American sculptor Ian Pedigo composes objects and collages from seemingly abandoned materials; scraps of wood, ends of material, electrical tape, plastic cups, Plexiglas, magazine pages. However regardless of how throwaway the materials appear, the artist’s arrangements retain a potent visual coherence whilst... |
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| Deborah Butterfield
L.A. Louver is presenting a solo exhibition of new sculpture by Deborah Butterfield. The show includes both small and large-scale horse forms, made from a range of materials including cast bronze, steel, copper and concrete. The sculpture is presented throughout all first and second floor galleries.
Deborah Butterfield has created sculpture in the form of horses since the early... |
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| Vojin Bakic s artworks exhibited in Austria
Graz Kunstverein is presenting an exhibition curated by the Croatian women curators collective WHW (what, how & for whom), featuring the Yugoslav-Croatian sculptor and architect Vojin Bakic († 1992).
Bakic’s work occupies a key position in the art of former Yugoslavia: during the Cold War, abstraction in art was made the arena for quite different and opposing ideologies and... |
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| Danijela Mrsulja, sculptures
Zvono Gallery is announcing the opening of the solo exhibition of sculptures of Danijela Mrsulja.
Simple, geometrical forms of Mrsulja's works derive from the artist's thoughts about the complexity of the world, but they are also a product of her very personal relationship with the material (white plaster), expressed through prolonged, repetitive, almost mantra-like processes of... |
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| The Exhibition of the Sculpture Gábos Mihály
Gábor, Mihály sculptor (Székelyhíd, Romania 09. September 1942.) He spent his childhood in Csanádapáca, Békés Country. He started his secondary education in Orosháza but finished his studies in Rákospalota. Dési Huber circle, master: Ferenc Laborcz
1969-74: College of fine arts, masters: Sandor Mikus, József Somogyi
1975-79: Derkovits-scholarship
1977: State Youth... |
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| Michel François
The directors of Thomas Dane Gallery are presenting the first exhibition in London of Belgian artist Michel François.
This is a sculpture show. Michel François has produced a body of work which critiques the formal rhetoric of sculpture in an age of installation. In an investigation of the etymology of sculpture through materials, Francois has made sculptures which oscillate... |
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| Tatjana Milutinovic – Vondracek, sculptures
Sign and presence
Extraordinary knowledge of materials, a delicate approach and, above all, awareness of the fact that a work of art is a spiritualized matter, link the latest works of Tatjana Vondracek to the ones presented at her previous solo exhibitions. Naturally, her latest works are refined further with layers that have been merely announced in some previous works or they... |
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| European Triennial of Small-Scale Sculpture
joke, satire, irony and
serious meaning
This year, Murska Sobota is hosting its third European Triennial of Small-Scale Sculpture, following the 13 preceding biennials of small-scale sculpture held between 1973 and 1997. Currently in Europe there are two important international triennials of contemporary smallscale sculpture: here in Murska Sobota / Slovenia and in Fellbach,... |
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| Paul McCarthy
Paul McCarthy, born in 1945 in Salt Lake City, USA, continues to impress us with his work. Indeed his work has influenced a whole generation of artists such as Cindy Sherman, Jason Rhoades, Mike Kelly and Jonathan Meese.
A confrontation with McCarthy's work is an unforgettable experience. His visual idiom is overwhelming, insightful, repulsive, even frightening; the action is... |
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| Corregan Daphne , Suffren Gilles
Dialog to one another between two contemporary ceramist artists.
The word "ceramics" is still "contemporary", very well adapted to stakes and queries of today artists.
As modernity makes human being free from material contact, Daphne COOREGAN and Gilles SUFFREN invite us to maintain a close link in which hand and body shape their works.
Daphne CORREGAN develops an art with some... |
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| Ingvar Cronhammar
Ten Danish art museums have joined forces to orchestrate a nationwide celebration of the artist Ingvar Cronhammar on the occasion of his 60th birthday. Presenting exhibitions of Cronhammar’s best-known work, supplemented by all-new pieces, ten Danish art museums showcase key moments in the sculptor’s monumental – in every sense of the work – body of work. The celebratory... |
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| Andy Goldsworthy
Standing inside one of the large domed wood spaces of Andy Goldsworthy (Cheshire, England, 1956) can be an incredibly charged experience. There is something powerfully unnerving, both physically and emotionally, about first entering into these cavernous rooms. Constructed with tightly packed branches and tree trunks, which admit little or no daylight, the darkness can be disorientating,... |
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