
| Vojin Bakic s artworks exhibited in Austria
Graz Kunstverein is presenting an exhibition curated by the Croatian women curators collective WHW (what, how & for whom), featuring the Yugoslav-Croatian sculptor and architect Vojin Bakic († 1992).
Bakic’s work occupies a key position in the art of former Yugoslavia: during the Cold War, abstraction in art was made the arena for quite different and opposing ideologies and... |
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| Danijela Mrsulja, sculptures
Zvono Gallery is announcing the opening of the solo exhibition of sculptures of Danijela Mrsulja.
Simple, geometrical forms of Mrsulja's works derive from the artist's thoughts about the complexity of the world, but they are also a product of her very personal relationship with the material (white plaster), expressed through prolonged, repetitive, almost mantra-like processes of... |
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| The Exhibition of the Sculpture Gábos Mihály
Gábor, Mihály sculptor (Székelyhíd, Romania 09. September 1942.) He spent his childhood in Csanádapáca, Békés Country. He started his secondary education in Orosháza but finished his studies in Rákospalota. Dési Huber circle, master: Ferenc Laborcz
1969-74: College of fine arts, masters: Sandor Mikus, József Somogyi
1975-79: Derkovits-scholarship
1977: State Youth... |
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| Michel François
The directors of Thomas Dane Gallery are presenting the first exhibition in London of Belgian artist Michel François.
This is a sculpture show. Michel François has produced a body of work which critiques the formal rhetoric of sculpture in an age of installation. In an investigation of the etymology of sculpture through materials, Francois has made sculptures which oscillate... |
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| Tatjana Milutinovic – Vondracek, sculptures
Sign and presence
Extraordinary knowledge of materials, a delicate approach and, above all, awareness of the fact that a work of art is a spiritualized matter, link the latest works of Tatjana Vondracek to the ones presented at her previous solo exhibitions. Naturally, her latest works are refined further with layers that have been merely announced in some previous works or they... |
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| European Triennial of Small-Scale Sculpture
joke, satire, irony and
serious meaning
This year, Murska Sobota is hosting its third European Triennial of Small-Scale Sculpture, following the 13 preceding biennials of small-scale sculpture held between 1973 and 1997. Currently in Europe there are two important international triennials of contemporary smallscale sculpture: here in Murska Sobota / Slovenia and in Fellbach,... |
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| Paul McCarthy
Paul McCarthy, born in 1945 in Salt Lake City, USA, continues to impress us with his work. Indeed his work has influenced a whole generation of artists such as Cindy Sherman, Jason Rhoades, Mike Kelly and Jonathan Meese.
A confrontation with McCarthy's work is an unforgettable experience. His visual idiom is overwhelming, insightful, repulsive, even frightening; the action is... |
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| Corregan Daphne , Suffren Gilles
Dialog to one another between two contemporary ceramist artists.
The word "ceramics" is still "contemporary", very well adapted to stakes and queries of today artists.
As modernity makes human being free from material contact, Daphne COOREGAN and Gilles SUFFREN invite us to maintain a close link in which hand and body shape their works.
Daphne CORREGAN develops an art with some... |
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| Ingvar Cronhammar
Ten Danish art museums have joined forces to orchestrate a nationwide celebration of the artist Ingvar Cronhammar on the occasion of his 60th birthday. Presenting exhibitions of Cronhammar’s best-known work, supplemented by all-new pieces, ten Danish art museums showcase key moments in the sculptor’s monumental – in every sense of the work – body of work. The celebratory... |
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| Andy Goldsworthy
Standing inside one of the large domed wood spaces of Andy Goldsworthy (Cheshire, England, 1956) can be an incredibly charged experience. There is something powerfully unnerving, both physically and emotionally, about first entering into these cavernous rooms. Constructed with tightly packed branches and tree trunks, which admit little or no daylight, the darkness can be disorientating,... |
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| James McKenna
The first major retrospective of the work of James McKenna, one of the most celebrated Irish sculptors of the 20th-century, opens to the public at the Irish Museum of Modern Art on Wednesday 28 November 2007. Comprising some 80 works, it covers McKenna’s entire career, including both large and small-scale sculptures, as well as a small selection of his drawings. It also makes... |
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| Markus Lüpertz - Mercury
His unerring brushwork and the intensity of his paintings have made Markus Lüpertz one of the most important German artists of the twentieth century. In parallel with his painting, the rector of the Düsseldorf Art Academy has produced an extensive sculptural oeuvre. His best-known sculptures include Eagle, located at the Federal Court of Justice in Karlsruhe, and Mercury, which... |
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| Siobhán Hapaska
'Like deranged fusions of alien beasts, abstract sculpture and hobby-craft, Hapaska's creations push the limits of narrative art... a welcome return.' Time Out
This is Siobhán Hapaska's first solo exhibition in the UK since her acclaimed show at the ICA in 1995. Her sculptures incorporate extraordinary objects from palm trees to buffalo skulls, goat skins to old socks.
They... |
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| Hard Rock Walzer – Contemporary Austrian Sculpture
"Hard Rock Walzer – Contemporary Austrian Sculpture" is an exhibition that confronts the viewer with a play of contrasts emphasised also by the oxymoron of the title: sculpture, often defined as weight and volume, is presented at Villa Manin through many dynamic and unexpected interventions. The works do not merely represent the space but they narrate it, and by doing so they bring... |
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| Kevin Francis Gray : Exhibition
Goff + Rosenthal is presenting a solo exhibition of sculptures by London-based artist Kevin Francis Gray. Constructed out of cast resin and glass crystals, these works merge classical forms with a gritty, urban aesthetic. Figures cloaked in modern-day streetwear are given a meditative, somber quality by the smooth, reflective nature of the material. The luster of the works‘ surface... |
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