| Render 10
Culture Lab, Newcastle University announces RENDER 10; an exhibition featuring creative digital media works from the Culture Lab research community.
RENDER 10 presents the forwardlooking scenarios of contemporary audiovisual practitioners from the Digital Media Masters of Research course, as well as members of the Culture Lab research community. Focusing on live media, performance,... |
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| Vassilis Karakatsanis "Alcohol 2009-2010"
ekfrasi-yianna grammatopoulou
9A Valaoritou str., 10671 Athens, Greece
[T > +30-2103607598, [F > +30-2103607546
[E > info@ekfrasi-art.gr, www.ekfrasi-art.gr
‘Alcohol’ 2009/2010
Vassilis Karakatsanis
Athens, October 7-30, 2010
Opening reception:
Thursday, October 7th, 2010 from 19:30
Visiting hours:
Tuesday, Wednesday, Thursday, Friday 11:00 – 14:00 & 18:00 –... |
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| I know three colours on the earth
Dragoş Burlacu / Szabolcs KissPál / István László / Ciprian Muresan / Csaba Nemes / Joanne Richardson / Zsolt Tibor / Mona Vătămanu & Florin Tudor
curated by Ágnes Sebestyén, cultural manager and scholarship holder of the „Cultural managers from Central and Eastern Europe“ programme of the Robert Bosch Foundation
co-curated by Elke Gruhn
The title quoting the first... |
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| Johan Grimonprez
Belgian artist Johan Grimonprez was propelled to international prominence when his highly acclaimed one-hour video Dial H-I-S-T-0-R-Y, a smart, visually complex and utterly compelling cultural history of aeroplane hijackings, was first shown at Documenta X in 1997. In 2008, a first version of his new film, Double Take, took the Basel Art Fair by storm. Like Dial H-I-S-T-O-R-Y, Double... |
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| Yang Fudong at the National Museum of Contemporary Art, Athens
The National Museum of Contemporary Art, Athens, organizes the first major exhibition in Greece of the internationally acclaimed Chinese artist Yang Fudong titled 'Seven Intellectuals in a Bamboo Forest and Other Stories'. The exhibition, which will be inaugurated on May 11th and last until September 5th, will include the complete five-part epic cinematic cycle 'Seven Intellectuals in... |
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| Grazer Kunstverein presents Marusa Sagadin, Anna Witt and Bernd Krauss
Marusa Sagadin
Anna Witt
Opening of the exhibition on Wednesday, My 12th, at 7 pm
Duration of the exhibition until June 21st 2010
The exhibition shows works from Marusa Sagadin (*1978) und Anna Witt (*1981), both living in Vienna.
The economisation of life offers a plattform for controversy – a subject that often appears in Marusa Sagadin's works. On the one hand, she is... |
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| Yane Calovski at Contemporary Art Society, London
Over one hundred years the Contemporary Art Society has gifted more than 8,000 works of art to public collections in this country. For 100 years, the Society has acted as a catalytic agent in the contemporary visual arts ecology of this country, developing audiences, artists, curators, collectors and collections alike. Thanks to the close working partnership with the Society's... |
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| Rabih Mroué: I, the Undersigned
From 21 May to 1 August BAK, basis voor actuele kunst presents I, the Undersigned, the first solo exhibition by Lebanese theater director, playwright, actor, and visual artist Rabih Mroué. The opening takes place on Thursday 20 May 2010 at 20.00 hrs at BAK.
Rabih Mroué (1967, lives and works in Beirut) belongs to the artistic generation that matured after the (formal) end of the... |
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| Miodrag – Dado Djuric at Haos Gallery
Miodrag – Dado Đurić was born in 1933. in Cetinje, Montenegro. He started his education in Herceg Novi and continued it at the Academy of Arts in Belgrade, as a student of professor Marko Čelebonović. In 1956, he had moved to France and in the early 60’s moved to Hérouval in Normandy, where he still lives. He has also spent some time in New York and Central African Republic... |
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| Edith Dekyndt & Rik Moens at KIOSK
From 2006 on, KIOSK has been organizing a changing exhibition program by both emerging and established artists. KIOSK started in a small glass pavilion and moved in February 2010 to its definite and larger gallery space. This venue is located in the former anatomical theatre of Cloquet Insitute, a renovated historical building on the Bijloke site in Ghent. KIOSK mainly focuses on... |
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| Aleksandar Cvetkovic | CARRY ON
Paintings and objects
Opening ceremony:
Tuesday, 11 May 2010 at 7 pm
The exhibition will be opened till 27 May 2010.
Gallery 212 is presenting to Belgrade audience a new works by one of the most eminent artists of serbian contemporary art scene, Aleksandar Cvetkovic, which are some kind of reminiscence of paintings from the eighties.
Aleksandar Cvetkovic was born... |
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| Marc Desgrandchamps | Fragments of a Random Modernism
This new exhibition by Marc Desgrandchamps, in contrast to its predecessors, is not characterised by unity; but the diversity of its themes actually highlights the persistence of certain principles.
There are "revenants", like that of the horse figure in the Suite Basserode (1), which resulted from a spatial exchange of random dimensions between Desgrandchamps and his fellow artist... |
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| Judith Lindner and Ingrid Rodewald | somewhere else
Ingrid Rodewald, Nacht, 2009. Collage auf Leinwand, 80 x 120 cmPaintings and collages
Opening reception: March 19, 2010, 6-9 pm
The exhibition runs until May 7, 2010
The gallery is presenting, for the second time, paintings by Judith Lindner and, for the first time, collages by Ingrid Rodewald. In the exhibition andernorts (somewhere else) the works of both former Masters... |
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| Thomas Zipp |(WHITE REFORMATION CO-OP) MENS SANA IN CORPORE SANO
Thomas Zipp (born in Heppenheim in 1966) is one of the most important German artists of our time. Trained as a painter, he brings together individual works – paintings, sculptures, prints, drawings and installations – to create an overall concept that completely integrates the spaces of the exhibition venue. By working in this way, Zipp lends his exhibition concepts a... |
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| Locky Morris | From Day One
Art (consciously written with a capital ‘A’) has been the concern of philosophers from the beginning, from which art (with a small ‘a’) has historically come out rather badly. In The Republic, Plato determined art as mere imitation, a shadow. For Hegel too, art was essentially locked into notions of history; in 1828 he wrote that art "…in its highest... |
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