| Gustaf i njegovi dobri duhovi
Utopistička vera u umetnost odavno je nestala. Prevratnička uloga umetnosti njenu predodređenost postojećeg sveta menja u bolji. Tako umetnik umesto da postane angažovani buntovnik on postaje introvertni pojedinac. On se odlučuje da za strategiju nečitanja bilo kakvog stava o društvu u kojem se njegov rad dešava.
Ako bih odabrala interesantnog, kontraverznog umetnika i... |
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| 3rd Quadrilateral Biennale
For the third time the Museum of Modern and Contemporary Art presents one of the most important regional art events – the Quadrilateral Biennale. Its history began in 2005 with a cultural exchange between four neighbouring countries, the members of the Quadrilateral initiative – Croatia, Slovenia, Hungary, and Italy, with an emphasis on presenting contemporary art practice, its... |
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| Marijan Crtalic | Invisible Sisak - The Ironworks Phenomenon
In the beginning of the 1970s and under the patronage and organization of Sisak Ironworks, an art colony was founded which, over the course of almost 20 years (1971-1990), gathered about two hundred eminent artists (among which were Ivan Kožarić, Dušan Džamonja, Ratko Petrić, Peruško Bogdanić, Milena Lah and many others) and produced more than two thousand artworks in the medium... |
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| Interzone : Local. Transformation, direction, spot
Authors of exhibition: Marija Matković, Marina Mršić and Mislav Muršić (assistant: Ivana Miketić)
The city of Velika Gorica is facing an enormous change. On almost every side of the city new and modern highways are being built. The automobile traffic from the city of Sisak, which now directly goes through the city centre towards and from Zagreb, will soon be moved to the more... |
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| Seks i histerija
U režiji Ivice Buljana i koprodukciji Bretonskog narodnog teatra iz Rennesa, Novog kazališta iz Zagreba, Mini teatra iz Ljubljane, dubrovačke “Art radionice Lazareti” i festivala "Zadar snova", u Lazaretima u Dubrovniku, krajem 8. meseca odigrana je drama Bernarda - Marie Koltesa “Sallinger”. U pitanju je homage kultnim piscima Koltesu i Salingeru, a uz pomoć studenta... |
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| Sedam dana stvaranja
Festival "Sedam dana stvaranja" www.sedamdanastvaranja.net ove godine otvoren je 7. avgusta, u pazinskom Kaštelu književnom večeri. Na programu je bilo predstavljanje recentnih SF&F izdanja i projekata iz Hrvatske, Bosne i Hercegovine i Srbije, o kojima su govorili autori i urednici Rade Jarak, Tamara Lujak, Damir Hoyka, Aleksandar Žiljak, Boris Švel, Pavle Zelić, Adnadin... |
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| Architecture and Film: subjective spaces
Jonas Dahlberg, Ra di Martino, Ursula Mayer, Damir Očko
Curator: Branka Benčić
Cinemaniac is a sidebar program of the Pula Film Festival since 2002. The exhibition presents innovations and ideas concerning the presentation of moving images - works of film and video in the gallery context, where the infrastructure of the film festival provides a contextual and organizational... |
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| Tanka crta razgraničenja između pozorišta i života
Početkom jula u Puli, svake godine održava se Međunarodni pozorišni festival PUF. Ove godine festival je otvoren predstavom "Anno Domini 2009", međunarodnog pozorišnog projekta slovensko hrvatske koprodukcije u organizaciji pulskog SAKUDa i lokalnog pozorišta Dr. Inat. PUF festival dosledan je određenom pozorišnom cilju, i bavi se afirmacijom i savremenim istraživanjem... |
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| micropolitics_lecture series: MATEI BEJENARU | Situations
Matei Bejenaru is an artist and initiator of Periferic Biennial in Iasi, Romania (www.periferic.org). Established in 1997 as a performance festival, Periferic transformed into an international contemporary art biennial defined as a platform for discussions on the historical, socio-political and cultural context of Iasi. Together with a group of artists and philosophers from Iasi, Matei... |
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| PUF Theatre Sky
Awards for The International Contemporary Theatre Festival (PUF) in Pula, Croatia have just been given out.
The names of the ‘PUF Theatre Sky’ awards represent three dynamic sky ‘elements’ or ‘symbols’, as the festival board aims to create a system which would most accurately recognise and evaluate different poetic modes in the theatre. "PUF is a festival of theatre... |
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| Aesthetic and Out of Institutional Theatre Performance
Born as the Croatian theatre reality International Theatre Festival PUF, the contemporary theatre festival strongly arguments and equally refer to the theatrical and non-theatrical circumstances, PUF shows that theatre festivals do not necessarily need to have overtop expanses to serve the public. This festival has its choice and its concept to indicate that sometimes theatre festivals... |
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| Judi Werthein
In her work Judi Werthein relishes in relinquishing control, moving art from the gallery into the world, where its power and effectiveness can be questioned. 'Recognizing the individual power of the audience', Werthein writes, 'I attempt to provide them with an opportunity to recast the limitations of reality that structure our existence.'
Judi Werthein was born in Buenos Aires,... |
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| The Renaming Machine
exhibition, conference and video archive
Curated by:
SUZANA MILEVSKA
in collaboration with: Ivana Bago & Antonia Majaca
Participants:
Ivana Bago/Antonia Majaca, Magnus Bartas | Zdenko Buzek | Liljana Gjuzelova | Igor Grubic | Dejan Habicht/Tanja Lazetic | Kalle Hamm | Albert Heta | Sasha Huber | IRWIN | Hristina Ivanoska | Sanja Ivekovic | Suzana Milevska | MONUMENT Group |... |
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| Tošo Dabac: Istrian Diary
The exhibition is based on Tošo Dabac's diary writings from 1946 and shows thirty four photographs of Istrian motifs. The photographs date from different periods and some of them belong to the Ethnographic or the Brijuni cycle from the 1950s.
The exhibition authors are Jerica Ziherl, curator and director of the Lapidarium Museum in Novigrad and Marina Benažić, the Tošo Dabac... |
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| Salon Of The Revolution: 29th Youth Salon
The title of the exhibition for the 2008 Zagreb Youth Salon – Salon of the Revolution, contains a deliberate paradox and ambiguity that defines it both as 'revolutionizing a Salon' and 'salonizing a revolution'. By creating a space of uncertainty about its meaning, it presents itself primarily as a question, reflecting on the possibilities, responsibilities, and positions which... |
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